![]() ![]() Her lack of action is entirely absurd and senseless. I cannot possibly imagine anyone does what Amanda Seyfried does in that situation. I almost dosed off when Harriet does something similar on the sofa. The story is slow, and there is not enough content to fill the screen time. Am I really to believe that you can chat up a little girl in the school yard, and subsequently take the girl on a one day trip without parental consent? The whole subplot of the little girl is seriously flawed. ![]() I can't quite bear her creating artificial relationships with Amanda Seyfried and the little girl either, as their bond with Harriet is contrived and unconvincing. Then, she is as difficult as can be, evoking no sympathy for her from me. There is little dialog, as the screen shows Shirley MacLaine's character, Harriet being grumpy by herself. The first five minutes should have been a warning sign for me. Therefore, she hires an obituary writer to work on the last words that would summarise her existence on Earth. One day, she comes up with the idea of controlling what her obituary should look like. This film tells the story of an elderly woman who is difficult and controlling. ![]()
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